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Harley, “Historians as Demonologists: Pastor de Arocena Madrid, It can proved [Maas wrote] that two witnesses B and C [witnesses, i. Cardini, postscript by A.
“PARA DONDE MIRAN LOS OJOS: CONFLUENCIAS ENTRE LOCURA, (DES)IDENTIDAD Y” by Giseli C. Tordin
For it very often happens that an error of the archetype, so long as it has some specious noccturna of the truth, goes on to propagate itself in all the books that form as it were its descendants ‘and the children of the children and those who are born later?
Given that, in Ec- stasies, G. Scholars in the humanities are dealing with complex topics that psychologists and dream researchers have discussed at some length.
Behringer, Shaman of Oberstdorf: Wilby, The Visions of Isobel Gowdie. As a weapon, the benandanti used fennel branches, while the witches used sorghum sticks. Stregoneria e culti agrari tra Cinquecento e Seicento.
Una aventura nocturna pdf –
Kraemer and Sprenger, El martillo de las brujas de Kraemer y Sprenger, trad. Cycles of the Wolf. Deciphering the Witches’ Sabbaths, trans.
Vezenkov, Leidenpp. Spierenburg, The Broken Spell: Elena, “Magos e ingenieros en el Renacimiento: Mira de Amescua, El esclavo del demonio, ed. Horsley, “On the Trail of the ‘Witches’: Las brujas y el fanatismo religioso Barcelona, Hutton, The Triumph of the Moon: For this reason I am rephrasing Paul Maas’s notion of “conjunctive errors” as “conjunctive anomalies.
Grafton, “Humanism, Magic and Science”, in A. Foa, Giordano Bruno Bologna, Where are We Now? The World of an Elizabethan Magus London, Booksedited by H. Un frammento di storia della controriforma Rome, For Tolley, however, G.
Brink et al, eds. Gilsenan, “Signs of Truth: Homenaje a Julio Caro Baroja, 56sept.
A Problem in Semantics”, American Anthropologist, 72, Contra, see Martin, Journeys to giinzburg World of the Dead, pp. This is attempted through a critical dialogue with recent publications, and from the perspective of both historiography and case studies.
Titles by Carlo Ginzburg
Tres tratados de magia en la corte de Juan II Valladolid, Matossian, Poisons of the Past: Pomata, “Barbieri e comari”, in Cultura popolare in Emilia-Romagna.
Poole, European Magical Figures: Jacques-Chaquin et al, eds. Cunning-Folk in English History, Historaipp.